I visited the modern art museum located centrally in Paris and absorbed it all. I loved the stunning views of the city, and after spending two months in town, I’ve now visited most of the major sites you can point out from there.
I enjoyed the multidisciplinary approach to art at the Centre Pompidou. In the past, I took an art history course where the working definition of art seemed to only include visual arts such as painting, with scant mention of other forms. The Centre Pompidou houses a wide variety of activities and forms.
Lastly, I was very pleased to discover a beautiful, modern library that appears to surpass the Bibliothèque Nationale de France (Mitterrand site) in terms of light, airiness, newness and accessibility of materials, and aesthetics. While I appreciate the BNF library, its interior and exterior design have significant drawbacks, and it feels unusually dim for a place where people are trying to read and work.
Two Cultural Observations
Driver psychology is the same everywhere.
A motorcyclist waved me through an intersection when he had the green light, saying, “Allez, allez quand même.” I’ve found that driver psychology is consistent everywhere (it’s inherently antisocial), but in Paris, drivers simply have fewer opportunities to harm pedestrians and cyclists or be involved in extremely destructive crashes. In the US, higher speeds, larger and taller vehicles, aggressive blunt vehicle design, wider roads, more distractions, tinted windows, fewer people outside of cars, and overall anger, aggression, disregard, and rage contribute to Americans experiencing significantly higher rates of traffic-related fatalities compared to Europeans.
“Du coup”
I’ve noticed that casual conversations in French are peppered with the phrase “du coup,” which is frequently used to express causal relationships, consequences, and continuity, much like “so” and “well.” Yet, this phrase never came up in any of my formal studies, to my recollection.
Film
Film screening at the Louvre
I watched a classic Western called “Once Upon a Time in the West” projected in a courtyard of the Louvre. Before the film began, there was music and drinks. I appreciated the haunting harmonica tune that signaled impending doom and vengeance. I watched closely for visual influences on Kill Bill and other contemporary films, and it seemed there were many. The only downside was that this long movie started late, at close to 11 pm.
I LOVE REESE WITHERSPOON
About a year ago, I was captivated by Witherspoon’s portrayal of a goody-good overachiever in “Election.” Last week, I finally watched “Freeway,” where she depicted an angry, violent high school delinquent seeking revenge on a psychopath portrayed by Kiefer Sutherland. I was astonished by how she could transition between these two roles so easily, as if changing a mask. “Freeway” had other shocking and twisted moments, like the scene with Brooke Shields after her character’s suicide, and other instances of dark humor.
More Childfree Affirmations
Almost daily, I observe events that reinforce my decision never to have children. (Although I am not sure I actively decided, as I’ve been opposed to it for as long as I can remember, though I have made choices to reinforce my decision and make conception nearly impossible.)
One recent event involved a colleague totaling his new car while rushing to buy breakfast cereal for his child, who refused anything else. Another event concerned a relative who had to decline valuable training involving travel due to being responsible for three little kids. Lastly, a friend is embroiled in a custody battle over two kids, with both him and the other parent weaponizing the children in their legal dispute.
The news media also continually affirms that I made the right choice. In my permanent home of Seattle, one could earn $70,000 a year and see $40,000 of that go to childcare costs for two kids, as reported recently. It’s simply a financial disaster. Of course, even if it were free, I still wouldn’t choose to have children. Seriously, what are the arguments for having children? I am having trouble remembering any.
Blast of Cold Air and Rain
Yesterday, as I left my apartment in the morning, I was hit by a blast of winter-like cold. I felt impotently angry at conditions and bitterly cold but I managed to jog and warm up. It doesn’t feel like August in Paris; it feels more like November in Seattle. I want sunny days again.
Buddenbrooks Passage on Detachment
“Thomas, however, had enough imagination to embrace the old maxim that all human endeavor is merely symbolic. He dedicated all his aspirations, abilities, enthusiasm, and active energy both to this small community, where the name Buddenbrook placed him in the forefront, and to that name and the family business he had inherited. Indeed, he had enough imagination to take his ambition of achieving greatness and power within this limited sphere seriously and simultaneously to smile at himself for his ambition.”
I’ve been pondering detachment and its potential to veer into aloofness. This passage suggests living in alignment with one’s values while acknowledging that external circumstances are beyond one’s control. These ideas intrigue me due to my desire for a balanced and contented life. The maxim proposing that all human endeavor is symbolic, couched in Mann’s descriptive prose, presents an interesting perspective on this concept. I like how the ideas in Buddenbrooks and The Magic Mountain sneak up on you, coming in reflective passages that punctuate long descriptive passages and dialogue, so that they are not overly didactic and you can almost miss them.
About the photo
An installation at the Centre Pompidou. This piece was large enough to climb into and extended back very deep. It instantly evokes personal memories of medical settings, which I’m sure every person has, and also made me think of the blood-on-white-tile visuals in some horror films.